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A.I. Artificial Intelligence – Official® Trailer [HD]

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تم نشره في 21‏/05‏/2013

Release Date: June 29, 2001 It’s the mid-21st century and man has developed a new type of computer that is aware of its own existence. This computer has been utilized to help man cope with the melting of the polar ice caps and the submerging of many of its coastal cities. This form of artificial intelligence has been used in robots, and one such android, a young boy (Haley Joel Osment) is about to take an emotional journey to find out if he can ever be anything more than a machine. Cast: Haley Joel Osment, Jude Law, Frances O’Connor, Sam Robards, Jake Thomas, Brendan Gleeson, William Hurt, Jack Angel, Ben Kingsley, Robin Williams Studio: Warner Bros. Pictures Director: Steven Spielberg Screenwriter: Steven Spielberg, Ian Watson Genre: Adventure, Drama, Sci-Fi Official Website: http://www.aimovie.com
A.I. Artificial Intelligence
PG-13

2001 ‧ Drama/Science Fiction ‧ 2h 26m

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A robotic boy, the first programmed to love, David (Haley Joel Osment) is adopted as a test case by a Cybertronics employee (Sam Robards) and his wife (Frances O’Connor). Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David. Without final acceptance by humans or machines, David embarks on a journey to discover where he truly belongs, uncovering a world in which the line between robot and machine is both vast and profoundly thin.
Release date: June 26, 2001 (New York City)
Box office: 235.9 million USD
Cross 2001 with E. T. Full review

The themes are simple. It’s the execution of those themes that will likely turn this movie into a Spielberg classic. Full review
Steven Isaac
Plugged In
Haley Joel Osment (David)
Haley Joel Osment
David
Jude Law (Gigolo Joe)
Jude Law
Gigolo Joe
Frances O'Connor (Monica Swinton)
Frances O’Connor
Monica Swinton
William Hurt (Professor Allen Hobby)
William Hurt
Professor Allen Hobby
Sam Robards (Henry Swinton)
Sam Robards
Henry Swinton
Robin Williams (Dr. Know)
Robin Williams
Dr. Know

أي آي : الذكاء الاصطناعي (فيلم)

أي آي : الذكاء الاصطناعي
(بالإنجليزية: A.I. Artificial Intelligence تعديل قيمة خاصية العنوان (P1476) في ويكي بيانات
AI Poster.jpg

الصنف فيلم خيال علمي[1][2][3][4]،  وفيلم ما بعد الكارثة،  وفيلم دراما  تعديل قيمة خاصية النوع الفني (P136) في ويكي بيانات
الموضوع أندرويد،  وذكاء اصطناعي  تعديل قيمة خاصية الموضوع الرئيسي (P921) في ويكي بيانات
تاريخ الصدور 29 يونيو 2001
مدة العرض 146 دقيقة
البلد الولايات المتحدة
اللغة الأصلية الإنجليزية
المخرج ستيفن سبيلبرج
الإنتاج كاثلين كينيدي،  وبوني كورتيس،  وستانلي كوبريك  تعديل قيمة خاصية المنتج (P162) في ويكي بيانات
الكاتب برايان ألديس
سيناريو
البطولة جود لو
هيلاي جويل
مواقع التصوير لونغ بيتش، كاليفورنيا،  ونيويورك،  وفيلادلفيا،  ولوس أنجلوس[6]  تعديل قيمة خاصية موقع التصوير (P915) في ويكي بيانات
موسيقى جون ويليامز  تعديل قيمة خاصية الملحن (P86) في ويكي بيانات
إستوديو
توزيع دريم ووركس
وارنر برذرز
الميزانية 100 مليون دولار أمريكي
الإيرادات 235,926,552 دولار أمريكي
معلومات على …
الموقع الرسمي aimovie.warnerbros.com
allmovie.com ملخص دليل الأفلام العام
IMDb.com صفحة الفيلم
السينما.كوم صفحة الفيلم
FilmAffinity 178002  تعديل قيمة خاصية معرف فيلمافينيتي (P480) في ويكي بيانات

أي آي: الذكاء الاصطناعي (بالإنجليزية: A.I.[7][8][9] Artificial Intelligence) هو فيلم خيال علمي أمريكي إنتاج عام 2001 من إخراج ستيفن سبيلبرج وبطولة جود لو وويليام هورت وهالي جويل.

القصة

تدور أحداث الفيلم حول الروبوت ديفيد الشبيه بالطفل البشري وله القدرة على الحب بحيث تربيه أسرة بشرية كإبنهم الثاني وتتوالى الأحداث وصولا إلى النهاية حيث ضرب الكوكب عصر جليدي جديد وتم استخراج ديفيد من الثلج وتعديله من قبل كائنات فضائية عالية الذكاء تملك تكنولوجيا خيالية

Related imageRelated image

This robot girl – gynoid – is used as a demonstration model by the film “AI: Artificial Intelligence”, to show several aspects of their take on robot behaviour and construction. In this still, the gynoid’s face is sliding apart for maintenance, after the human instructor commanded her to open her mouth, then reached in and pressed a release mechanism on the roof of the mouth.

When he did this, her face muscles stopped moving, and assumed a default position. Shortly after this, her face moved forwards from her head and parted into two segments: the upper half containing her eyes and nose rotating upwards, whilst the lower half rotates downwards. But, how realistic is this?

The face is by far the most expressive part of the body. The densely packed musculature conveys our moods, and shapes our words. So, it is a part which regularly comes under intense scrutiny, whilst meaning is being ascertained. As such, having a join between detachable parts in the middle of it, seems poorly thought out design. Unless the upper skin is some form of shape memory material, it would be extremely hard for the ‘surface musculature’ to continually flow over the join in a wide variety of expressions, without something showing.

There were two other films that showed the face being the access point. The much-older Westworld and Futureworld both showed the face being removed to perform maintenance on the optics and the head. However, in both cases, the face was removed as a single unit; there was no joining strip across it. This does seem the far more sensible approach to take, as facial expressions would thus be unaffected by the hatch edges themselves, and could likely continue, even without the face being attached to anything greater.

Perhaps Total Recall: 2070 had the most realistic take of all. In their system, the access panel was in the top of the head. It was accessed in the same manner as a brain surgeon accesses a human brain. Once exposed to the air, components slide out for easy access. This does seem to make a great deal more sense. However, there are other reasons you might like to take a face panel off of an android or gynoid. The most obvious of which being, to put a different face onto it.

Such an ability would once again, throw open the whole concept of embodied identity; who are you, when you can wear any face?

Further Reading

Link: AI: Artificial Intelligence

Link: AI – Artificial Intelligence: Index of Stills

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